https://www.remycharlipestate.org/archives
daily
0.75
2017-07-19
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Merce Cunningham Dance Company; Costumes for Galaxy- Remy Charlip (1956)
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Merce Cunningham Dance Company; Costumes for Galaxy- Remy Charlip (1956)
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Merce Cunningham Dance Company; Costumes for Galaxy- Remy Charlip (1956)
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Merce Cunningham Dance Company; Costumes for Galaxy- Remy Charlip (1956)
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Merce Cunningham Dance Company; Costumes for Galaxy- Remy Charlip (1956)
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Merce Cunningham Dance Company; Costumes for Galaxy- Remy Charlip (1956)
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Merce Cunningham Dance Company; Costumes for Galaxy- Remy Charlip (1956)
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Glowworm; Remy Charlip- WBGH Television, Boston (1978)
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(Glowworm Costume)- Remy Charlip design (1972)
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(Costume) Remy Charlip- London Contemporary Dance Theater (1972) Costume: Bill Gibb
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(Costume Design-Original Drawings) Remy Charlip- London Contemporary Dance Theater (1972); Costume by Bill Gibb
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(Costume Design-Original Drawings) Remy Charlip- London Contemporary Dance Theater (1972)
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Jonah by Paul Goodman at American Place (1966); Costumes, set and choreography by Remy Charlip
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Jonah by Paul Goodman at American Place (1966); Costumes, set and choreography by Remy Charlip
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Jonah by Paul Goodman at American Place (1966); Costumes, set and choreography by Remy Charlip
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Jonah by Paul Goodman at American Place (1966); Costumes, set and choreography by Remy Charlip
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Jonah by Paul Goodman at American Place (1966); Costumes, set and choreography by Remy Charlip
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(Puppet) Remy Charlip (Circa 1972)
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Mad River; (1972-74) Choreography, Remy Charlip- London Contemporary Dance Theater;Costume Bill Gibb;
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy "3/24/1974 Burt Love: In my preoccupation with my work here, I forgot your birthday. Would you accept this letter as a belated greeting? I need to write out an argument (scenario) for fund raising, TV & registration with the society of authors for royalties. I thought to do it for you first.: Arc en Ciel...For 11 dancers, dance theatre era"
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy "Between the dark and the light there is a rainbow or the theory of color. Things are not one thing or another, many properties can be inherent in an object. A cup can be smooth, round, white, clean, stained, full. So too with landscapes and people. We can be calm, hungry, awake, moving, waiting, we can dance, hold our breath, see, imitate, we are dancers, friends, dish washers, eaters, cooks, writers, painters, children, parents, singers, leaders, followers. We learn from those whom we can take. We accept parts of others that we can use, a parent, teacher, friend, student and even our so-called enemies. And in return, we give to others. This piece is party about some distinct qualities colors have for us now after three weeks of working together. It is about sharing, exchanging what is special about us at this time.
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy
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Arc en Ciel; Genéve, Switzerland. “Writings and choreography of Remy Charlip.” (1974); Letter to Burt Supree from Remy
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Original Drawing by Merce Cunningham (circa 1955)
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Merce Cunningham postcard to Charlip-back-(1964)
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Merce Cunningham postcard to Charlip-front-(1964)
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(L-R) R.Charlip, unknown, R. Rauschenberg, M. Cunningham
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Remy Charlip with Cunninghham Company (circa 1959-61)
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Remy Charlip onstage with Cunningham Company (circa 1954) Brooklyn Academy of Music
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Remy Charlip onstage with Carolyn Brown, Cunningham Company (circa 1954)
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Remy Charlip onstage with Cunningham Company (circa 1951)
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Remy Charlip rehearsal with Cunningham Company (circa 1954)
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Remy Charlip photo shoot with Cunningham Company (circa 1954)
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Remy Charlip rehearsal with Cunningham Company (circa 1954)
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Remy Charlip rehearsal with Cunningham Company (circa 1954)
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Remy Charlip photo shoot with Cunningham Company (circa 1954)
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Remy Charlip performance with Cunningham Company (circa 1954)
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Remy Charlip rehearsal with Cunningham Company (circa 1954)
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Remy Charlip rehearsal with Cunningham Company (circa 1954)
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Remy Charlip performance with Cunningham Company (circa 1954)
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Remy Charlip Drawing "John Cage" From Amirkhanian, Charles. “Remy Charlip on John Cage.” Ballet Review, (Summer 1996); Pages 11-14.
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Lecture Demonstration Program, Merce Cunninghham and Company (1950)
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John Cage (circa 1955) Inspiriation for Remy's book Dress Up and Let's Have a Party in which John plays the main character, Photo: Remy Charlip
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John Cage (circa 1955) Inspiriation for Remy's book Dress Up and Let's Have a Party in which John plays the main character, Photo: Remy Charlip
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Remy Charlip, Solo
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"Meditation" (1966-1991) Choreography: Remy Charlip; Performer: Remy Charlip,
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"Ameratsu" (1988) Museum of Contemporary Art. MOCA Artist in Residence, Los Angeles, Choreography: Remy Charlip; Performer: Remy Charlip, Photo: David Familian
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"Ten Men" (1984) Choreography: Remy Charlip; Brooklyn Academy of Music; Dancers: David Malamut, David Thomson, Abelardo Gameche, Eduardo Ramones, Cho Kyoo-Hyun, Alvaro Restrepo Hernandez, Lance Westergard and Patrick Scully; Photo: John Wulp
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"Mad River" 1 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Patrick Harding-Irmer, Anthony van Laast; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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"Mad River" 2 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Patrick Harding-Irmer, Anthony van Laast; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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"Mad River" 3 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Cathy Lewis and Namron; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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"Mad River" 4 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Cathy Lewis and Namron; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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Air Mail Dance: "Wooloomooloo Cuddle" (1976)
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Air Mail Dance: "The Red Towel Dance/The Wet Towel Dance" for Barbara Roan (1980); Choregraphed and Illustrated by Remy Charlip
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Air Mail Dance: "Dance in a Bed" (1977); Choregraphed and Illustrated by Remy Charlip
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Air Mail Dance (circa 1980); Choregraphed and Illustrated by Remy Charlip
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Mail Order Dance: (Mail Art Envelope) "250 Dancers on a Diagonal with 250 Guest Towels" (1979); Created for The American Dance Guild National Conference; Choregraphed and Illustrated by Remy Charlip
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Mail Order Dance: "250 Dancers on a Diagonal with 250 Guest Towels" (1979); Created for The American Dance Guild National Conference; Choregraphed and Illustrated by Remy Charlip
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Air Mail Dance: "Alone Some and Twosome" (1980); Choregraphed and Illustrated by Remy Charlip
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Air Mail Dance: "Alone Some and Twosome", Detail (1980); Choregraphed and Illustrated by Remy Charlip
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Air Mail Dance: "Alone Some and Twosome", Detail (1980); Choregraphed and Illustrated by Remy Charlip
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Air Mail Dance: "Alone Some and Twosome", Detail (1980); Choregraphed and Illustrated by Remy Charlip
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Air Mail Dance: "Alone Some and Twosome", Detail (1980); Choregraphed and Illustrated by Remy Charlip
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First Air Mail Dance; Letter from Charlip to Nancy Lewis (circa 1974) Note: The Air Mail dances were conceived by Charlip in this letter. Page #1
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First Air Mail Dance; Letter from Charlip to Nancy Lewis (circa 1974) Page #2
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First Air Mail Dance; Letter from Charlip to Nancy Lewis (circa 1974) Page #3
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Early Air Mail Dance (Envelope) (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, whether a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, whether a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, whether a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, whether a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, wheter a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, wheter a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, whether a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, whether a solo, duet or group dance.
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Early Air Mail Dance (circa 1970) by Remy Charlip; Note: These predate the illustrated Air Mail Dances and include explicit instructions on how to create the dance using the numbered cut-out images. Each dance came in an envelope with names of dancers and the order of the positions, whether a solo, duet or group dace.
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Photo of Remy Charlip by Lois Greenfield (circa 1986)
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Photo of Remy Charlip by Carl Van Vechten; From The Living Theatre’s first New York City performance, “Dr. Faustus Lights the Lights,” by Gertrude Stein (1951)
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Photo of Remy Charlip by Carl Van Vechten; From The Living Theatre’s first New York City performance, “Dr. Faustus Lights the Lights,” by Gertrude Stein (1951)
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Reverse: Photo of Remy Charlip by Carl Van Vechten; From The Living Theatre’s first New York City performance, “Dr. Faustus Lights the Lights,” by Gertrude Stein (1951)
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Remy Charlip at Cooper Union (circa 1946-48)
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Remy Charlip (London, circa 1972)
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Remy Charlip, Photo: Emil Cadoo
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Remy Charlip; Photographer unknown
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Remy Charlip; Photographer unknown
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Remy Charlip and Burton Supree (circa 1972)
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Remy Charlip by Burton Supree (circa 1972)
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Remy Charlip holding L.A. Eye Works illustration (circa 2011)
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Photo of Remy Charlip by Frank Herman, The Sunday Times (1972)
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Original Illustration by Remy Charlip for Contact Quarterly
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Charlip personal journal 1971
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Charlip personal journal 1971
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Charlip personal journal 1971
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Charlip personal journal 1970s
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Meditation Temptation (circa 1980s)
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A Handful of Truths (circa 1980)
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Brain Storm for Neil Marcus by Remy Charlip (circa 1990)
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Charlip personal journal 1950s
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Envelope from Lou Harrison (at Black Mountain College) to Remy Charlip, NYC (1951)
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Letter from Lou Harrison (at Black Mountain College) to Remy Charlip, NYC (1951)
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Letter from Lou Harrison (at Black Mountain College) to Remy Charlip, NYC (1951)
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Illustration of Lou Harrison by Remy Charlip (1949)
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Reverse: Illustration of Lou Harrison by Remy Charlip (1949)
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Postcard from Remy Charlip to Lou Harrison (1951)
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Postcard from Remy Charlip to Lou Harrison (1951)
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Postcard from Lou Harrison to Remy Charlip (1953)
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Postcard from Lou Harrison to Remy Charlip (1958)
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Postcard from Lou Harrison to Remy Charlip (1953)
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Lou Harrison (circa 1948)
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Remy Charlip (L), Lou Harrison (R); Photo by Eva Soltes, Joshua Tree, California (2001)
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Choreographic Score and Backdrop for Ludwig and Lou, Oakland Ballet, Illustration by Remy Charlip (1994)
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Conference of Mail Order Dances, American Theater Laboratory, Illustration and Choreography by Remy Charlip (1980)
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Poster: Theater for the New City; Illustration by Remy Charlip (1982)
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Poster: The Paper Bag Players
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Printed Paper Bags; “The Paper Bag Players Ride Again…” (circa 1963) Henry Street Settlement
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Printed Paper Bags; “The Paper Bag Players Are Back in Town…” (circa 1959) The Living Theatre
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Teaching Score from journals (circa 1979); Illustration by Remy Charlip
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Dance Score: "If I Were Freedom" (1980) For Ruth Kraus; Sketch by Remy Charlip
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Heart Meditation (circa 1990) Illustration and Poem by Remy Charlip
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Workshop Poster "Men Moving Together" (circa 1990) San Francisco; Illustration by Remy Charlip
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Ideas for Teaching The Arts to Children (1995); Conceived and Edited by Remy Charlip; San Francisco Arts Education Project
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First Remy Charlip Reader (1986); Text and illustrations by Remy Charlip. Contact Editions
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Art materials from Remy Charlip's studio
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Buster Keaton book jacket design
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Remy Charlip's World, SF Public Library, (1999), (study for 3 fold poster no background)
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Remy Charlip's World,SF Public Library, (1999), Final Poster
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Remy Charlip's World,SF Public Library, (1999), (Study for 3 fold poster)
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This Is The Age Of The Book Mobile; designed by Remy Charlip, Children's Book Council, NY, 1970
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This Is The Age Of The Book Mobile; designed by Remy Charlip, Children's Book Council, NY, 1970
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This Is The Age Of The Book Mobile; designed by Remy Charlip, Children's Book Council, NY, 1970
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This Is The Age Of The Book Mobile; designed by Remy Charlip,(Original illustration) 1970
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Air Mail Dance; Illustrated by Remy Charlip in rainbow line (circa 1990)
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Original Illustration by Remy Charlip in colored pencil on paper; (circa 1990) 18"x24"
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Original Illustration by Remy Charlip in colored pencil on paper; (circa1990) 18"x24"
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Original Illustration by Remy Charlip in colored pencil on paper; (circa 1990) 18"x24"
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Original monotype by Remy Charlip; ink on paper (circa 1990) 11"x17"
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Original Illustration by Remy Charlip; watercolor and rubber stamps on paper. (series of 15) 8.5"x11"
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Original Illustration by Remy Charlip; watercolor on paper (circa 1980s) 1' diameter
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Original artist book by Remy Charlip; collage; For Ray Johnson, Richard and Helen, (circa 1960) 5" x 12"
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Original artist book by Remy Charlip; collage; For Ray Johnson, Richard and Helen, (circa 1960) 5" x 12"
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Original artist book by Remy Charlip; collage; For Ray Johnson, Richard and Helen, (circa 1960) 8.5" x 11"
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Remy Charlip Sketchbook (circa 1980) 8.5"x11"
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Remy Charlip Sketchbooks (circa 1960) 8.5"x11"
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Journals (1960s) 8.5"x11"
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Study for book: A Perfect Day; watercolor on paper (2006)
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Sketches by Remy Charlip for project with Donald Evans; Letters to Gopshe (photocopied)
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Charlip self-portrait (1949) 10" x10"
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Charlip Self-portrait (1980s) 1' diameter
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Covers: Where is Everybody, Mother Mother, Dress Up
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What is the World; Text by Betty Miles, Illustration by Remy Charlip with images by Ray Johnson, John Cage and Normon Solomon (1958)
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Fortunately; Cover, Text and illustrations by Remy Charlip. Parents Magazine Press, 1964; Simon and Schuster (1993)
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Fortunately; (Original Art, Ned on land); Gouache on bristol board
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Fortunately; (Original Art, Tiger); Gouache on bristol board
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Fortunately; (Original Art, final page); Gouache on bristol board
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Dress Up and Let's Have a Party; (cover); Gouache on bristol board; Text and illustrations by Remy Charlip. Young Scott Books, New York, NY. 1956
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Dress Up and Let's Have a Party; (Original Art); Graphite and ink on velum; Text and illustrations by Remy Charlip. Young Scott Books, New York, NY. 1956
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Dress Up and Let's Have a Party; (Original Art), Graphite and ink on velum; Text and illustrations by Remy Charlip. Young Scott Books, New York, NY. 1956
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Where is Everybody?; (Original Art); ink on velum; Text and illustrations by Remy Charlip. Young Scott Books, New York, NY. 1957
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Arm in Arm; (Cover). Text and illustrations by Remy Charlip. Parents Magazine Press New York, NY. 1969; Perpetua Press, London, England. 1973; Tricycle Press, Berkeley, CA. 1997
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Arm in Arm; (Original sketch) Text and illustrations by Remy Charlip. Parents Magazine Press New York, NY. 1969; Perpetua Press, London, England. 1973; Tricycle Press, Berkeley, CA. 1997
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Arm in Arm; (Original Art) Text and illustrations by Remy Charlip. Parents Magazine Press New York, NY. 1969; Perpetua Press, London, England. 1973; Tricycle Press, Berkeley, CA. 1997
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Harlequin and the Gift of Many Colors; Graphite on velum Text by Remy Charlip and Burton Supree. Illustrations by Remy Charlip. Parents Magazine Press, 1973
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Harlequin and the Gift of Many Colors; (Original sketch); Watercolor on velum; Text by Remy Charlip and Burton Supree. Illustrations by Remy Charlip. Parents Magazine Press, 1973
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Harlequin and the Gift of Many Colors; (Original sketch); Graphite on velum; Text by Remy Charlip and Burton Supree. Illustrations by Remy Charlip. Parents Magazine Press, 1973
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Source materials for Harlequin and the Gift of Many Colors
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A Perfect Day; (Cover) Text and illustrations by Remy Charlip. Greenwillow Books, 2007
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A Perfect Day (Original Art); Watercolor on paper; Text and illustrations by Remy Charlip. Greenwillow Books, 2007
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A Perfect Day (Original Art); Watercolor on paper; Text and illustrations by Remy Charlip. Greenwillow Books, 2007
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What A Fine Day For...; (Cover); Text by Ruth Krauss. Illustrated by Remy Charlip. Harper and Row, 1967
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A Moon Or A Button; (Cover); Text by Ruth Kauss. Illustrated by Remy Charlip. Harper Brothers, New York, NY. 1959
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The Seeing Stick; Text by Jane Yolen. Illustrated by Remy Charlip and Demetra Maraslis. Thomas Crowell, 1997
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The Seeing Stick (Original Art); Graphite on paper; Text by Jane Yolen. Illustrated by Remy Charlip and Demetra Maraslis. Thomas Crowell, 1997
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Little Old Big Beard and Big Young Little Beard; (Original Sketch-miniature mock up book); Text by Remy Charlip. Illustrated by Remy Charlip and Tamara Rettenmund. Marshall Cavendish, 2003
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Little Old Big Beard and Big Young Little Beard; (Original Sketch); Text by Remy Charlip. Illustrated by Remy Charlip and Tamara Rettenmund. Marshall Cavendish, 2003
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Little Old Big Beard and Big Young Little Beard; (Original Sketch); Text by Remy Charlip. Illustrated by Remy Charlip and Tamara Rettenmund. Marshall Cavendish, 2003
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What is the World; (Original Art) Text by Betty Miles, Illustration by Remy Charlip with images by Ray Johnson, John Cage and Normon Solomon; 1958
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A Page is a Door; (Original Text about writing children's books); 1979
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Thirteen; By Remy Charlip and Jerry Joyner; Illustrated by Remy Charlip. Parents Magazine Press, 1975; Aladdin Books, 1994
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Handtalk: An ABC of Fingerspelling and Sign Language; Text by Remy Charlip and Mary Beth. Photographs by George Ancona. Parents Magazine Press, 1974
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Printed Paper Bags: “The Paper Bag Players Are Back in Town…” (circa 1959) The Living Theatre
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Cover Story: New York Herald Tribune, This Week Magazine, (1960) Cover Illustration by Charlip.
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Paper Bag Players: The New York Times and The Villiage Voice (1963)
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Remy Charlip publicity shot Paper Bag Players (circa 1963) Photo: Emil Cadoo
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From the play, “The Tree Angel,” by Judith Martin and Remy Charlip (1962); Paper Bag Players; New York; Photograph: Jay Hoops.
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Cover Story: Contact Quarterly; Story Board for the making of "Growing Up in Public" (1988) about Lucas Hoving, Conceived and Directed By Remy Charlip
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Program: "Doctor Faustus Lights The Lights" by Gertrude Stein (1951); The Living Theater, Remy Charlip choreographer
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(Left to right) Remy Charlip, Al Carmines, Aileen Passloff, Intermedia (1968)
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(Left to Right) Aileen Passloff, Burton Supree; Photo: Ted Wiechers
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Aileen Passloff
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Aileen Passloff; Photo: Ted Wiechers
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The Judson Poets' Theater presents "A Beautiful Day" by Ruth Krauss and Remy Charlip; and Plat I, Play II, Play III, By Gertrude Stein; Photo: John Wulp
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Letter from Library of Congress
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Letter from Anna Halprin 1
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Letter from Anna Halprin 2
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James Leo Herlihy letter 1
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James Leo Herlihy letter 2
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James Leo Herlihy letter 3
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James Leo Herlihy letter 4
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Lucas Hoving letter 1
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Lucas Hoving letter 2
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Meredith Monk letter
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SF Public Library
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Pull Quotes
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https://www.remycharlipestate.org/home
daily
1.0
2017-07-21
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Remy Charlip, Solo
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"Meditation" (1966-1991) Choreography: Remy Charlip; Performer: Remy Charlip
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"Ameratsu" (1988) Museum of Contemporary Art. MOCA Artist in Residence, Los Angeles, Choreography: Remy Charlip; Performer: Remy Charlip, Photo: David Familian
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"Ten Men" (1984) Choreography: Remy Charlip; Brooklyn Academy of Music; Dancers: David Malamut, David Thomson, Abelardo Gameche, Eduardo Ramones, Cho Kyoo-Hyun, Alvaro Restrepo Hernandez, Lance Westergard and Patrick Scully; Photo: John Wulp
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"Mad River" 1 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Patrick Harding-Irmer, Anthony van Laast; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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"Mad River" 2 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Patrick Harding-Irmer, Anthony van Laast; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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"Mad River" 3 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Cathy Lewis and Namron; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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"Mad River" 4 (1974) London Contemporary Dance Theater; Choreography, Remy Charlip; Performers: Cathy Lewis and Namron; Costume Design: Bill Gibb; Photo: Anthony Crickmay
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Photo of Remy Charlip by Carl Van Vechten; From The Living Theatre’s first New York City performance, “Dr. Faustus Lights the Lights,” by Gertrude Stein (1951)
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A PERFECT DAY. Text and illustrations by Remy Charlip. Greenwillow Books, 2007
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FOUR FUR FEET. Text by Margaret Wise Brown. Illustrated by Remy Charlip. Young Scott Books New York, NY. 1961; Dell Publishing, New York, NY. 1990
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HANDTALK: AN ABC OF FINGERSPELLING AND SIGN LANGUAGE. Text by Remy Charlip and Mary Beth. Photographs by George Ancona. Parents Magazine Press, 1974
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WHAT IS THE WORLD? Text by Betty Miles. Illustrated by Remy Charlip. Alfred A Knopf, New York, NY. 1958
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MOTHER MOTHER I FEEL SICK SEND FOR THE DOCTOR QUICK QUICK QUICK. Text by Remy Charlip and Burton Supree. Illustrated by Remy Charlip. Parents Magazine Press, 1966; Tricycle Press, 2001
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A DAY OF WINTER. Text by Betty Miles. Illustrated by Remy Charlip. Alfred A Knopf New York, NY. 1961
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WHAT A FINE DAY FOR . . . Text by Ruth Krauss. Illustrated by Remy Charlip. Harper and Row, 1967
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DRESS UP AND LET'S HAVE A PARTY. Text and illustrations by Remy Charlip. Young Scott Books, New York, NY. 1956
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THIRTEEN. Text by Remy Charlip and Jerry Joyner. Illustrated by Remy Charlip. Parents Magazine Press, 1975; Aladdin Books, 1994
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THE SEEING STICK. Text by Jane Yolen. Illustrated by Remy Charlip and Demetra Maraslis. Thomas Crowell, 1997
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DAVID'S LITTLE INDIAN. Text by Margaret Wise Brown. Illustrated by Remy Charlip. Young Scott Books New York, NY. 1956; Hyperion New York, NY. 1989; Dell Young Yearling, New York, N.Y 1992
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A MOON OR A BUTTON. Text by Ruth Kauss. Illustrated by Remy Charlip. Harper Brothers, New York, NY. 1959
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A DAY OF SUMMER. Text by Betty Miles. Illustrated by Remy Charlip. Alfred A Knopf, New York, NY. 1960
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JUMPING BEANS. Text by Remy Charlip and Judith Martin. Illustrated by Remy Charlip. Alfred A Knopf, 1963
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I LOVE YOU. Text and illustrations by Remy Charlip. Avon, 1967; Scholastic Books, 1999
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HOORAY FOR ME! Text by Remy Charlip and Lilian Moore. Illustrated by Vera B. Williams. Parents Magazine Press, 1975; Tricycle Press, 1996
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SLEEPYTIME RHYME. Text and illustrations by Remy Charlip. Greenwillow Books, 1999.
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HARLEQUIN AND THE GIFT OF MANY COLORS. Text by Remy Charlip and Burton Supree. Illustrations by Remy Charlip. Parents Magazine Press, 1973
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HEUREUSEMENT (FORTUNATELY). French edition. Text and illustrations by Remy Charlip, Editions MeMo, 2011
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FORTUNATELY. Text and illustrations by Remy Charlip. Parents Magazine Press, 1964; Simon and Schuster, 1993
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PEANUT BUTTER PARTY. Text and illustrations by Remy Charlip. Tricycle Press, 1999
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THE DEAD BIRD. Text by Margaret Wise Brown. Illustrated by Remy Charlip. Addison Wesley, Reading, MA. 1958; Dell Publishing, New York, NY. 1979; Harper Collins New York, NY. 1985
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Illustration by Simone Massoni / Line Drawings by Remy Charlip / Red Towel Dance. Reprinted from The New Yorker.
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